Thursday, June 21, 2007

Incorporating Metaphors in your Songwriting

For those who are new to the idea of a metaphor, here's a quick definition..

A metaphor is the expression of an understanding of one concept in terms of another concept, where there is some similarity or correlation between the two.

That was taken from an online dictionary.

Here's an extract metaphor taken from William Shakespeare:

All the world's a stage,
And all the men and women merely players
They have their exits and their entrances

Now there are a gazillion metaphors used in several songs today. So many of them sound over-used and a bit too familiar. This doesn't mean it's a bad thing... but what this DOES do is open up a opportunity for us to get a little creative a think a little bit outside the box.

Before we set out to do this, let's check out these cool metaphors... (in bold)

- On and on the rain will fall like tears from the sun (Sting)

- They paved paradise and put up a parking lot (Joni Mitchell)

- Here abandoned in my fame, armageddon of the brain
(Michael Jackson)

I discovered a nice little exercise recently that helped me create more metaphors then I could ever dream about. The original concept is by the author Pat Pattison.

Write down a list of adjectives on one side and nouns on another. Make sure these words are somewhat created in impulse ie. don't think about it, just write it down. Start with the adjectives...

For example:

Adjectives

smoky
refried
decaffeinated
hollow
understated

Then do the nouns... for example:

Nouns

conversion
railroad
rainbow
rainforest
eyebrows

You will find the two lists will sound very disjointed and will eventually make some pretty strange combinations. This is good.

Now, take a look at both of your lists side by side. Think about each combination for a minute. They should stimulate some pretty interesting possibilities.

Take ANY combination and try to write s sentence or short paragraphs from it.

Like this:

"Since I got your phone call, everything seems dull. My day has been bleached of sound and color. Even the rainbow this afternoon has been decaffeinated".


You want to write down at least 5 short paragraph incorporating a combination from your list.

So, I would probably write the remaining short paragraphs with these combo's:

smoky conversation
refried railroad
hollow rain forest
understated eyebrows

Now, we would jumble them up into different combinations (for example smoky eyebrows) and write a sentence or short paragraph for each one. The point of the exercise is to see what overtones (linking idea's, metaphors) are produced by this blind striking of notes.

Some wonderful accidents can happen this way :-)

Remember, we aren't writing a song here. We're focusing on metaphors which we will essentially be able to use at some point when writing. You can perform this exercise as many times as you like.

You will soon be pouring with metaphors.

Feel free to comment...

Enjoy,

Shamir
www.SongwritingTipsOnline.com/Secrets

5 comments:

Edward C Dumchus said...

It's a great exercise, fun and challenging. Really stretches the imagination trying to make connections with two random lists.

Anonymous said...

Love your idea on working with metaphors.Love all your e-mails on songwriting tips.

Melodic Interval said...

thats so awesome :) and totally fun. thanks for the inspiration :)

Anonymous said...

Not to be nit-picky, but your three examples aren't the most metaphory song lyrics you could have picked.

Sting's is a simile (see the word 'like'), which makes it less hardcore and immediately relatable, Joni Mitchell's (asides from the deliciously alliterative p sounds)is just juxtaposition of two inherently contrasting images (its not obvious that something else is being described either as a paradise or a parking lot), but I'll agree that the Michael Jackson satisfies the metaphorical criteria.

And then the excercise..... doesn't actually produce metaphors? The point of the metaphor is that one noun is expressed as another, not that one noun is contrasted or set off at a weird angle by being described in an unconventional way.

For example, er...

"The paint is peeling from my perfect frame/And your white spirit's entirely to blame"

It's a bit of awful lyricry, but its a nice example of an extended metaphor. Do you see how the 'perfect frame' could be a metaphor for a happy life, and the idea that the paint is being stripped by the 'white spirit' shows how this happiness is being ruined?

The best way to come up with a metaphor is actually to think about it, rather than to use some kind of potluck random generation method.

However your, 'not actually a metaphor' method is still good for coming up with some rather obscure images though, which could be useful if that is your songwriting style.

I'm sorry for being such a pedant :P

Shamir Rele said...

Actually, I did day the parts in bold are the metaphors not the entire lines.

Tears From The Sun - could be a metaphor for God crying

They Paved Paradise - could be a metaphor for destroying the tree's.

The fact that Stings metaphor is used in conjunction with a simile is irrelevant.

This 'potluck random generation method' is one to brainstorm idea's. It's not a writing session. It's a brainstorming session. :-)

In fact, after sitting in writing sessions with Gary Benson and Maxi Priest (and my sister currently writing will Paul Barry) I can tell you that the best stuff isn't always 'thought through'.

One more thing... you're quote.

"The point of the metaphor is that one noun is expressed as another, not that one noun is contrasted or set off at a weird angle by being described in an unconventional way."

If you're writing metaphors with that one sole definition you're missing a whole heap of possibilities.

Now *I* don't mean to be pedantic, but here's that definition again...

A metaphor is the expression of an understanding of one concept in terms of another concept, where there is some similarity or correlation between the two.

Shamir