Sunday, July 09, 2006

Songwriting: Chorus Construction

This article is SPOT ON.

You gotta read it.

Calvin

--------------------------------

By John Braheny

The majority of choruses adhere to certain guidelines. I say 'majority' because there are songs that ignore some of the guidelines and still win by the strength of their performance, arrangement and/or production.

1. The title should appear in the chorus, in a way that, by virtue of its placement in the chorus and/or its degree of repetition, we know it's the title. If words or phrases other than the title repeat in the chorus, or in strong positions, the listener won't know which is the title when they call the radio station to request it or ask for it at the record store, which is why you sometimes see songs with two titles, like "Untitled (How Does It Feel)," "Blue (Ba Da Dee)" or "C'mon and Ride It (The Train)" – that usually means that someone felt the song's title was not its strongest hook, or even that the song has two hooks and they're covering their bets by putting both in the title. Since you can't buy or request a song if you can't remember its name, these are very important commercial considerations.

2. Keep the information simple enough for people to remember easily. If you're a literary genius, you may tend to think most choruses are too simple. Don't worry about it. They need to be simple! ....

Click here to finish reading the article.

Source http://www.taxi.com/faq/songwriting/song-chorus.html#btm

technorati tags:, , , , ,

Songwriting: Steps to Writing Hit Lyrics

I have always wondered why for many songwriters, writing lyrics is much more difficult then writing a a melody. I've certainly been a victim - heck, I'd rather write chords all day long than to lyrics to a tune. It's happened on more than one occasion.

But why does sit happen? Is there anything we can do to rectify it? I dug up this wonderful article (written by Molly-Ann Leikin) giving us a deep but 'actioned based' insight on this common predicament.

Check it out...

Calvin

"Many of my clients find that melodies pour out of them like beer from a tap - but they get stuck on lyrics. I've thought about this for many years, and feel I finally understand why. I also know how to fix it. First, melodies are open to interpretation - so when you write one, what you feel or intend is still safe in your heart - you do not have to reveal yourself or....."

Click here to read the complete article.

source - http://www.musesmuse.com/2.8-November99.html#article
[Written by Molly-Ann Leikin of Creativity Consultant]

technorati tags:, , , , ,